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Because
no one suffers for love better than this brooding Brit... 
You know
it hurts so good....
And so does poor Colin Firth -- this British actor is continually
cast in roles where he must either 1) struggle against his own
class prejudices to claim his true love, 2) pine for a lost love
who foolishly overlooks him, 3) lose his wife or lover to another
man, or 4) suffer all three indignities in the same damn movie.
But that's because no one expresses the agony of unrequited love
better than Colin Firth. He has it all: the dark, tear-pooled
eyes; the strong jaw that barely flinches when the object of
his affection flings a tart retort at him; the thick, wavy hair
just right for running his hands through in an agony of torture;
and a desperate longing that seems to descend over the still
planes of his face at will.
In
short, Colin Firth is one smouldering, brooding hunk of burning
love just waiting to burst into flame. For those of us who appreciate
intensity, he is the man.
Besides,
all that sorrow in one face... it just makes you want to work
very hard to inspire a smile to bloom across it at last. Anybody
who has ever seen Pride and Prejudice knows what I mean:
as Mr. Darcy, Colin Firth struggled between self-importance and
love for a good ten to twelve hours, torture etched across his
handsome features - only to finally break into a huge smile in
the very last frame of the film when he finally finds true happiness.
It's the most-watched final frame in mini-series history, guaranteed.
What
makes this attitude so attractive? There is no better incentive
to win a man over than the opportunity to pierce the facade and
break his will. It's a form of victory, this subduing a man to
our charms: to make him kneel emotionally before us, his once-proud
nature reduced by love until he is nothing more than a minion
in your power. Just think of the possibilities. And the outfits
you could wear...
So bring
that boy on. And kindly cast him unclothed in a few flicks, please.
There are millions of women out there who would love to rip his
frilly shirts to shreds, throw him over his prancing stallion
and take him out to the gardener's cottage for a sun-filled afternoon
of illicit class-crossed passion. After we (as in me and Lise
McClendon) get through with him first, of course.
Filmography:

- The Importance of Being Earnest (2002) .... Jack Worthing
- Conspiracy (2001) (TV) .... Dr. Wilhelm Stuckart
- Bridget Jones's Diary (2001) .... Mark Darcy
- Londinium (2000) .... Allen Portland
- Relative Values (2000) .... Peter
- Donovan Quick (1999) (TV) .... Donovan Quick
- Turn of the Screw, The (1999) (TV) .... The Master
- Blackadder Back and Forth (1999) .... William Shakespeare
- My Life So Far (1999) .... Edward
- Secret Laughter of Women, The (1998) .... Matthew Field
- Shakespeare in Love (1998) .... Lord Wessex
- Thousand
Acres, A (1997) .... Jess Clark
- Fever Pitch (1997) .... Paul Ashworth
- "Nostromo" (1996) (TV) .... Charles Gould
- English Patient, The (1996) .... Geoffrey Clifton
- "Pride and Prejudice" (1995) (TV) .... Mr. Darcy
- Widowing of Mrs. Holroyd, The (1995) (TV) .... Charles Holroyd
- Circle of Friends (1995) .... Simon Westward

- Deep Blue Sea, The (1994)(TV) .... Freddie Page
- Master of the Moor (1994) (TV) .... Stephen Whalby
- Playmaker (1994) .... Ross Talbert/Michael Condren
- Hour of the Pig, The (1993) .... Richard Courtois
- Hostages (1993) (TV) .... John McCarthy
- Femme Fatale (1991) .... Joseph Prince
- Out of the Blue (1991/I) .... Alan
- Tumbledown (1989) (TV) .... Robert Lawrence
- Valmont (1989) .... Valmont
- Wings of Fame (1989) .... Brian Smith
- Apartment Zero (1988) .... Adrian LeDuc
- Month in the Country, A (1987) .... Tom Birkin
- Tales from the Hollywood Hills (1987) (TV) .... Rene Wilcox
- Secret Garden, The (1987) (TV) .... Adult Colin Craven
- "Lost Empires" (1986) (TV) .... Richard Herncastle
- 1919 (1985) .... Young Alexander
- Dutch Girls (1985) .... Neil Truelove
- Another Country (1984) .... Tommy Judd
- Camille (1984) (TV) .... Armand Duval
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